The Rhythmic Writing of the Impossible
The Rhythmic Writing of the Impossible
A Poetry Workshop with Lyrae Van Clief-Stefanon
I heard Lyrae read her poetry for the first time at the Appalachian Writers Symposium on September 13th, and I knew that I just had to attend her poetry workshop the following morning. Her voice carried her poems with a rhythm that made me want to bop around. I felt the musicality of her writing in my bones.
On Thursday morning when everyone walked into Baird Lounge to get ready to learn from this force of a writer, Lyrae was prepared with music to kick us into gear. We were in for a treat as Lyrae launched on her balance of academia, history, and laughter.
Lyrae’s recent work focuses on adynaton, a form of hyperbole that insinuates the impossible. She walked us through a description and examples of adynaton and then set us off on our own poetic journeys with a challenge to choose something black that we found beautiful.
She directed us to set off in trying to use adynaton to tease out the impossibilities in our chosen black subjects, and the room got quiet as we all shifted into writing gear, letting the words flow and the pages absorb our full concentration. Here, I want to share the poetry of some of our own in the LJAC family. Director Chris Green and Program Assistant Heather Dent have generously shared their poems from that day.
The Life of a Coal
Beautiful, rich, and dark,
The coal is tossed into the fire.
It becomes an ember
Pulsing with orange light.
But then,
The flames suck out the life.
They suck out the color,
Leaving it ashy, white, and dull,
Hollow, and ready to crumble.
The black beauty is gone.
Heather Dent
The depression after my wreck grew and wrapped
my neck like a stark tree, drunk from the tar of my loss.
Its silhouette hung forked and naked against the night sky.
My pupils were not strong enough to pull in the night
where nested light of a billion billion stars. But decades
of love given have chipped that cold tree’s black buds
into infinitesimal starlings, grackles, crows, and ravens
that shoot like sparks through a cloudless new-moon night.
Untouchable their energy spreading space wider, brief breath
of a billion birds on the shanks of each neutrino mountain,
pushing time that much more apart, they rush together
like people who know each other by smell, reading braille
on each photons’ still, dark subway drilling its way toward connection,
like how husband and wife’s fingers graze one another’s faces.
Flint flake kisses thrown to the sky, what could contract
their push that gives room to particles to fly? Maybe if my wife
were to leave, my daughter to die, my poems to smother under
boulders of reports, memo, and law? Before that, obsidian geysers
would erupt from the Indian Ink that surges through my pen,
from my daughter’s fingers dancing on the keys of song and story,
from my wife’s calls and faxes to Frankfort and Washington,
from the midnight walks whose dark energy spreads out space
so we can meet, so we can find each other, so our children can run
in yards and dance with fireflies, so that space will continue from
its first burst where distance between allowed the distance to be
so voice and ear and lip and cheek would meet and dance.
Chris Green
I heard Lyrae read her poetry for the first time at the Appalachian Writers Symposium on September 13th, and I knew that I just had to attend her poetry workshop the following morning. Her voice carried her poems with a rhythm that made me want to bop around. I felt the musicality of her writing in my bones.
On Thursday morning when everyone walked into Baird Lounge to get ready to learn from this force of a writer, Lyrae was prepared with music to kick us into gear. We were in for a treat as Lyrae launched on her balance of academia, history, and laughter.
Lyrae’s recent work focuses on adynaton, a form of hyperbole that insinuates the impossible. She walked us through a description and examples of adynaton and then set us off on our own poetic journeys with a challenge to choose something black that we found beautiful.
She directed us to set off in trying to use adynaton to tease out the impossibilities in our chosen black subjects, and the room got quiet as we all shifted into writing gear, letting the words flow and the pages absorb our full concentration. Here, I want to share the poetry of some of our own in the LJAC family. Director Chris Green and Program Assistant Heather Dent have generously shared their poems from that day.
The Life of a Coal
Beautiful, rich, and dark,
The coal is tossed into the fire.
It becomes an ember
Pulsing with orange light.
But then,
The flames suck out the life.
They suck out the color,
Leaving it ashy, white, and dull,
Hollow, and ready to crumble.
The black beauty is gone.
Heather Dent
The depression after my wreck grew and wrapped
my neck like a stark tree, drunk from the tar of my loss.
Its silhouette hung forked and naked against the night sky.
My pupils were not strong enough to pull in the night
where nested light of a billion billion stars. But decades
of love given have chipped that cold tree’s black buds
into infinitesimal starlings, grackles, crows, and ravens
that shoot like sparks through a cloudless new-moon night.
Untouchable their energy spreading space wider, brief breath
of a billion birds on the shanks of each neutrino mountain,
pushing time that much more apart, they rush together
like people who know each other by smell, reading braille
on each photons’ still, dark subway drilling its way toward connection,
like how husband and wife’s fingers graze one another’s faces.
Flint flake kisses thrown to the sky, what could contract
their push that gives room to particles to fly? Maybe if my wife
were to leave, my daughter to die, my poems to smother under
boulders of reports, memo, and law? Before that, obsidian geysers
would erupt from the Indian Ink that surges through my pen,
from my daughter’s fingers dancing on the keys of song and story,
from my wife’s calls and faxes to Frankfort and Washington,
from the midnight walks whose dark energy spreads out space
so we can meet, so we can find each other, so our children can run
in yards and dance with fireflies, so that space will continue from
its first burst where distance between allowed the distance to be
so voice and ear and lip and cheek would meet and dance.
Chris Green