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- Mon/Wed: 10 a.m. – 12 p.m.
- Tue: 10 a.m. – 11:30 a.m.
- Thur: 9 a.m. – 10:30 a.m.
- Fri: 9 a.m. – 11 a.m.
- MUS 132 (Mon/Wed: 5:20 – 7 p.m.)
- MUS 220 (Mon/Wed/Fri: 1:30 – 2:30 p.m.)
- MUS 320 (Mon/Wed/Fri: 3 – 4 p.m.)
- MUS 321 (Tues/ Thur: 1:30 – 2:30 p.m.)
- MUS 132: Wind Ensemble
- MUS 220: Materials of Music I
- MUS 222: Materials of Music II
- MUS 320: Materials of Music III
- MUS 321: Aural and Keyboard Harmony III
- MUS 322: Materials of Music IV
- MUS 323: Aural and Keyboard Harmony IV
- MUS 328: Teaching Brass and Percussion Instruments
- MUS 336: Fundamentals of Teaching Instrumental Music
- MUA 105-400: Applied Lessons in Brass
Receiving his Bachelor’s in Music from the University of Kentucky, and Master’s in Jazz from the Manhattan School of Music, Dr. Colby Norton started his playing career with multiple big bands including the DiMartino/Osland Jazz Orchestra, The MetroGnomes, and the Bluegrass Area Jazz Ambassadors. Almost simultaneously, he was a regular member of the Lexington Brass Band and Lexington Philharmonic. Dr. Norton has presented multiple recitals throughout the nation and has had the honor of performing at Carnegie Hall, the Kennedy Center, and Jazz at the Lincoln Center.
Throughout his career, Dr. Norton has appeared and recorded with many artists including Arlo Guthrie, Gil Shaham, Lynn Harrell, Bob Mintzer, Bob Lark, Laura Bell Bundy, David Liebman, Randy Brecker, Joe Lovano, Candido, Paquito D’Rivera, The Temptations and Wycliffe Gordon.
2008 was a special year for Dr. Norton as he made his recording debut with Thomas Pasateria’s opera The Hotel Casablanca. That same year, he recorded the premier of George Frederick McKay’s Epoch “An American Dance Symphony”. Since then, he can be heard on Two Two’s with the Two O’ Clock Lab Band, and Lab 2014 with the One O’ Clock Lab Band. Dr. Norton has won multiple Downbeat Awards and has received recognition for his original compositions for the bass trombone.
Dr. Norton completed his Doctorate of Musical Arts from the University of North Texas where he researched the compositional approach of Daniel Schnyder for his dissertation titled World’s Beyond: A Stylistic Analysis of Collage in the Music of Daniel Schnyder as a Universal Model for the Bass Trombone Repetoire. In 2013, he was the recipient of the Toyota Alumni Fund from the Kentucky Center to aide in his research of the music of Daniel Schnyder. He frequently composes/premiers new works for the bass trombone with multiple ensembles as well as teaches privately throughout Kentucky while continuing to perform in both jazz and classical settings.
- Bachelor's of Music in Performance- University of Kentucky
- Master's of Music in Jazz- Manhattan School of Music
- Doctor of Musical Arts- University of North Texas